Lexington concert photography: Don’t trash that lens03.19.13

Matthew West

This is what I knew heading out to cover Winter Jam for the Herald-Leader and LexGo.com, Saturday night: I wanted to keep the photography  simple with two lenses and two bodies.

Tobymac and Nirva "Nirva Ready" Dorsaint-Ready

I was going to be hoofing all over Rupp Arena. I was going to be reporting and shooting. I didn’t want to bother with hauling a heavy camera bag around. So I wanted two lenses. The first was easy, the 80-200, the bread and butter lens of a concert photographer — the one that gets the viewer up close and personal with the star. The second, in my bag, is a tossup: wide zoom 17-35 or normal zoom 24-70? The normal zoom is safe, as it’ll get you semi-wide and semi-closeup in one hunk of glass. But if you can get solid, wide concert shots, as concert photography guru Todd Owyoung preaches, they’re just about the coolest things you can get because they are so up close and immediate.

(Note: This repeated dilemma is why at some point I want to add a 17-55 to my bag, to cover the wide-to-normal bases.)

So, I decided to roll with the 17-35, and almost immediately regretted it. The security guard on one side of the stage limited me to to corner of the stage, rarely the spot for great wide shots, and what I was framing up zoomed to 35 felt really wide and short on character.

So, I was surprised when I got home, edited down the evening for an online gallery, and my choices swung about 70-30 in favor of the wide lens.

Part of it was my impatience. My frustration kicked in after snapping a few early acts, which usually keep to the center of the stage more, whether it’s because they aren’t used to having such a big playground as an arena stage or other acts’ gear is squeezing them in.

Then there was the camera back factor. The closeups often look more compelling on the camera LCD than the wide shots, which sort of need the computer presentation.

Whatever the reason, I was happy with the shot at redemption. After initial misgivings, the choice of the wider lens proved wise. It allowed me to get some really satisfying shots, particularly of Tobymac and his Diverse City band and when Red’s Michael Barnes decided to get really close.

Jason Castro

Michael Barnes of Red

Red

Byron Chambers of Tobymac's Diverse City band

Fan Logan Crockett of Dayton, Ohio

Russ Lee of Newsong

Zach Oswald of OBB

Tobymac

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Lexington photography: 366 days, 366 pictures12.27.12

Dec. 16, 2012 – The final image of the project, children in song.

A year is a long time to perform a daily task, if it is something aside from eating, bathing or brushing your teeth. But Dec. 16 I brought to a conclusion something of an unnatural commitment: to take at least one picture every day, for a year, and post it on my Facebook page.

July 2, 2012 – Shot on the L in Chicago of one of our youth group members and a counselor from Door Chicago heading out for our first day of work on an urban mission trip.

The past several years, I certainly had taken pictures on more days than I didn’t. But the idea here was to get a camera — usually one of my Nikon DSLRs or my HTC cellphone — everyday and take a picture. Some days this came naturally due to work or life events. Some days I had to be purposeful in taking a shot. And then there were days, like June 28, when I remembered at about 11:50 p.m. and took a shot with whatever I had, wherever I was.

My intentions were not totally clear. In some ways I wanted to push myself technically, which I did in some instances. Now that I have the collection to look at, my reflection is it taught me to look around. Whether it was the landscape whizzing past me on the Interstate or a box of donuts, I became better at seeing the pictures around me and developing a sense of how to take them, particularly with limited means, which is kind of funny, because I thought this deal would have me pulling out my Speedlights and special lenses more.

There were days it was a bit of a struggle, ironically, particularly on days where my photo business was a bit busier and I was needing to process pictures for clients.

I thought it turned out to be a nice, unintended parallel that the first shot was of ceramic figures of choir children singing, made by my great aunt, and the last image (above) was of real choir children singing at my church, which felt sort of comforting a few days after the tragedy in Newtown, Conn.

Would I do it again? Not anytime soon. I would rather concentrate on more purposeful photography for a while, and if I do a project, put it in those parameters — I do have some ideas.

But am I glad I did it? Yes. In addition to refining my “eye” I think, I also just like having a year in the life in pictures. It marks the passages of events and seasons, even growth in my children that I don’t see day-to-day but may see comparing a picture from last winter to this fall. In some ways, it also illustrates how short a year can be.

Regardless of the format or intention, taking pictures is a great way to chronicle the passage of a year. Have a happy new one.

~ Rich

 There were two other posts chronicling this project: A one-month post and a six-month post.

Sept. 27, 2012 – My daughter's platforms in silhouette.

 

Aug. 24, 2012 – I got to know my cell phone camera this year, and was frequently stunned by some of the detail I got out of it.

 

Sept. 22, 2012 – My cousin, waiting for her daughter to come down the aisle.

July 2, 2012 – The Chicago trip was a real excercise in working with what I had: a backup body and a few prime lenses. That was enough to get shots like this one, of one of our youth mowing down an overgrown lawn on the South Side of Chicago.

 

Nov. 8, 2012 – Bassman at a high school orchestra concert.

 

Oct. 12, 2012 – A late Sunday afternoon glass of bourbon, shot at sunset.

 

Sept. 29, 2012 – The first hints of autumn leaves in Gratz Park.

Oct. 25, 2012 – Parallel cats.

Aug. 11, 2012 – I just happened to look out the window and liked this image, particularly the shadows of the stair rails.

Aug. 7, 2012 – The 366 project made me more likely to shoot images as I saw them, like this sunflower I spotted on a morning walk.

Nov. 18, 2012 – Late year image of my kids on a big night.

Oct. 30, 2012 – A little 2013 preview. I have been hired to shoot a cheerleading competition in January. Having little experience shooting cheerleading, I went to a practice to get a little practice of my own. I'm looking forward to getting back to work in 2013.

Want to book Rich Copley Photo for an event or photo session in 2013? Check out our rates and booking info, and Email me.

 

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Versailles senior photography – Jackson10.22.12

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I actually got to know Jackson this summer when we were on a youth mission trip to Chicago together. He was in the group I co-chaperoned and he was as joyful and hard-working a guy as you could want on your team.

One thing we knew was coming up for Jackson was The Woodford Theatre‘s production of Beauty and the Beast, in which he worked as a supporting player and crew. After the trip, his Facebook updates were constantly filled with photos and status notes about the show.

So, when Jackson contacted me about senior pictures, I was thrilled, and I suggested the theater as a location. Jackson was back there this fall as crew for Woodford’s production of Lucky Stiff, and folks at the Woodford Theatre were  more than accommodating of our session. On a gorgeous Friday afternoon, we went there, and we also went out to Jackson’s church, historic Pisgah Presbyterian in Versailles to get some natural, fall-color shots.

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Want to book Rich Copley Photo for your senior shoot or something else? Check out our rates and booking info, and Email me.

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Lexington photographer: Half way through 36606.17.12

March 18, 2012

June 15 was the 183rd day of my 366 project, in which I have assigned myself to take and post at least one photo a day for a year, starting on Dec. 16.

May 12, 2012

The picture of the day was a shot of my son and some of his fellow violinists onstage at Eastern Kentucky University for the final middle school orchestra performance at the Stephen Foster Music camp. It was taken with a Nikon D5100 I rented from Murphy’s Camera for a test drive – nice camera, particularly for High ISO shots like Friday’s at 6400, but probably not a body I’ll be getting.

There has been a lot of learning through this project, from playing with Speedlights and my sweet new Pocket Wizards to how to employ the camera on my HTC Inspire for interesting pics with the Vignette app to juggling the shooting and editing load when my little photo enterprise got a bit busy in the spring. There have been days that it has been a bit of a pain to shoot a photo, particularly when I needed to process photos for clients. But there has not been a day I regretted the charge to take a picture every day and post it.

It’s really not hard to make someone do their favorite thing.

My hope for the next 183 is a bit more stretching, trying to take advantage of this charge to try and refine techniques I want to explore. Hard to believe I started taking these pictures less than 10 days before Christmas. The holidays will be here before we know it – he says, when the highs are in the 90s.

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Want to book Rich Copley Photo for an event or photo session? Check out our rates and booking info, and Email me.

June 15, 2012 May 30, 2012 April 20, 2012 May 19, 2012 Feb. 6, 2012 April 8, 2012 – Easter May 13, 2012 March 15, 2012 February 23, 2012February 21, 2012

Jan. 27, 2012 April 5, 2012

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School House Rock Live at Bryan Station High School04.16.12

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Click here for the full gallery from School House Rock Live at Bryan Station.

My favorite thing about returning to photography several years ago was getting to shoot stage productions all over Central Kentucky in my role as a cultural journalist for the Lexington Herald-Leader. It was a perfect marriage of my passions for the arts and photography.

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A side benefit has been that I have artsy kids, so on the job, I have developed skills that help me document their performances for them and their fellow young artists.

Last week, I got to bring that to full fruition shooting Bryan Station’s production of School House Rock Live, which my daughter was in. It was a historic production in that Station has not presented a musical in years.

I approached shooting it in largely the same way I shoot a show for the paper, coming to final dress rehearsals to get shots as close to what the show looked like as possible. I did go for somewhat broader coverage than usual trying to make sure every kid in the show had some strong images of themselves and ultimately delivering a lot more photos to the director than we do for the paper, where we are going for a handful of images for print and a couple dozen or so images for online galleries.

That’s the technical logistical stuff.

What was really important was creating images that the kids could use to show people what was going on and get them out to the show. What was really important was producing mementos of an experience that these student performers will carry with them the rest of their lives.

An unexpected outcome was – and I claim no credit whatsoever for this idea – the show’s director, Dr. Kristine Lyon, had a picture of each of the principal actors in the production blown up on corkboard with a wide white border around the image. After the final performance, the kids were signing each other’s pictures like yearbooks.

Watching the kids strike the set and share final hugs brought back memories of shows I was in at their age, building that kind of family it takes to tell a story to an audience in a couple hours. Like most anything else we photograph, shows don’t last forever, but the memories can.

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Want to book Rich Copley Photo for a photo session? Check out our rates and booking info, and Email me.

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